Alec Baldwin’s silly call for more police on film sets after his “Rust” shoot

Someone has to go see Alec Baldwin. In the two weeks since Baldwin unintentionally discharged a live weapon at two people on the Santa Fe Plateau of the Western Photo Rust, killing cinematographer Halyna Hutchins and injuring director Joel Souza, it has been made clear that keeping a low profile is not part of the PR plan. Baldwin tweeted through her, posting alleged evidence that an assistant director shouted “cold gun” on set and amplifying an Instagram post from costume designer Terese Magpale Davis, who wrote that the tale of danger Rust the set “is bullshit” (Baldwin was also a producer on the film). This account, which includes the fact that a half-dozen crew members left the set just hours before Hutchins and Souza were shot, places the tragedy in a larger context not only of the presence of touring in direct on Hollywood sets, but existing schisms in the workplace. which exploded into full-fledged union strikes.

The defensive stance continued yesterday when the struggling star tweeted his proposed solution to the whole debacle that randomly turned into pro-cop propaganda. “Every film / television set that uses firearms, fake or not, should have a police officer on set, hired by the production, to specifically monitor the guns safely,” Baldwin said.

Not only is this just a terrible idea instead of using fake guns and making sure that the people who handle these guns are well rested and, more importantly, are in fact well trained, but it is also a act of surrender to the right. contempt.

It is not clear exactly what led Baldwin in this direction. Maybe he got the idea after a long night talking to investigators. Maybe he’s just tired of all the Tories who light up for previous anti-gun declarations and wanted to throw a bone at them because make no mistake, an argument for more police on sets is an argument for an even deeper but more pronounced relationship between Hollywood and the state – and yes, the proliferation of guns.

It doesn’t take much to see the connection between the police and the gun lobby. OpenSecrets reported Last year alone, the NRA PAC received some of its most significant contributions from police officers in the last electoral cycle. What may surprise eagle-eyed onlookers is how much the Democrats have become of the gun lobby’s benefactors when it comes to campaigning. “Overall,” the report notes, “six of the top 10 recipients of police union funding in the House are Democrats, figures reflected in the Senate.” If we look at the presidential race, individual donations revealed the same pattern: “Biden has slightly outperformed Trump in individual law enforcement contributions this year as of April 30. campaign against Trump’s $ 62,000. The gun lobby has turned blue, and Baldwin’s conundrum perfectly sums up why: No matter where one can sit politically, the police are always seen as protective, especially when it comes to wealthy whites.

“The gun lobby has turned blue, and Baldwin’s conundrum perfectly sums up why: No matter where one can sit politically, the police are always seen as protective, especially when it comes to wealthy whites.“

As much Baldwin has been criticized for his anti-gun tweets, ranging from scowl-worthy daddy jokes to ‘hands up’ hoodies that are their own form of aesthetic terrorism, when it comes to feel protected both physically and materially. assets, the solution could only be more law enforcement? Couldn’t it be, maybe, to listen to the crew when they said it was dangerous to work the crazy hours they were doing without proper rest? Perhaps it was listening to Halyna herself who was reported to have advocated for better working conditions alongside her teammates on the Rust together. Baldwin and his production team could have controlled the scabs, the non-IATSE workers who replaced the protesters. They may have discovered that a few of these workers had already suffered consequences from guns fired at trays. Maybe they would have pressed pause until the workers’ needs were met. But no, that would actually mean some sort of liability and as we know the police are not in the area of ​​liability.

It’s even difficult to determine who Baldwin’s tweet was addressed to. “Each cinema / TV set should have a policeman. Does this mean that Baldwin’s only fault here was that he didn’t hire the police?

An aerial view of the film set on Bonanza Creek Ranch where Hollywood actor Alec Baldwin killed cinematographer Halyna Hutchins and injured a director when he fired a propeller pistol on the film set Rust in Santa Fe, New Mexico.


Let’s say there were more cops on the set of Rust. How would they have ensured that security measures were observed during filming? Police academy and NRA training sessions have not necessarily meant the safety of those being guarded, at least based on the background. The police themselves, who commit around 1,000 murders a year, are at the origin of much armed violence in this country. Calling for more cops doesn’t mean more safety and could even have the unintended impact of creating dangerous situations for a younger and more inclusive Hollywood.

A non-profit collective, BLD PWR, co-founded by UnsafeKendrick Sampson, Mike de la Rocha and Tia Oso have sounded the alarm bells about police on film sets. Their work at separate Hollywood police unions and removing more police officers from sets have gained traction in recent years, but, interestingly enough, the group found that the urgency had subsided just around the time of George Floyd’s murder. Baldwin joined a cadre of liberals who, by taking a defensive stance, ended up showing their conservative colors. These “hands up, don’t shoot” hoodies had a very short half-life. It is clear that Baldwin still suffers from the same illness that could have contributed to the death of a woman: a categorical refusal to listen to the less influential. What we’ve learned about Baldwin is how performative his politics can be, beyond makeup and wigs. When things are going well, he sounds like his enemies.

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